11.1.07

Perfect Lives

Robert Ashley, solo voice; Jill Kroesen and David Van Tieghem, chorus; "Blue" Gene Tyranny, keyboards; David Van Tieghem, non-keyboard percussion; Peter Gordon, music producer; Paul Shorr, soundtrack producer.

Perfect Lives has been called "the most influential music/theater/literary work of the 1980s." At its center is the hypnotic voice of Robert Ashley. His continuous song narrates the events of the story and describes a 1980's update of the mythology of small town America. Perfect Lives is populated with myriad characters revolving around two musicians — "R", the singer of myth and legend, and his friend, Buddy, "The World's Greatest Piano Player". They have come to a small town in the Midwest to entertain at the Perfect Lives Lounge. As Robert Ashley describes in the opera synopsis, "they fall in with two locals to commit the perfect crime, a metaphor for something philosophical: in this case, to remove a sizable about of money from The Bank for one day (and one day only) and let the whole world know that it was missing."

The eloping couple, Ed and Gwyn, the old people at the home, the sheriff and his wife (Will and Ida) who finally unravel the mystery, and Isolde who watches the celebration of the changing of the light at sundown from the doorway of her mother's house are some of the characters who journey through the seven episodes of the opera.

Derived from a colloquial idiom, Perfect Lives transforms familiar material into an elaborate metaphor for the rebirth of the human soul. It has been called a comic opera about reincarnation.

Disc 1:
1. The Park (Privacy Rules) (24:25)
2. The Supermarket (Famous People) (24:53)
3. The Bank (Victimless Crime) (25:03) [excerpt]



Disc 2:
1. The Bar (Differences) (24:48) [excerpt]
2. The Living Room (The Solutions) (25:07)



Disc 3:
1. The Church (After the Fact) (24:44)
2. The Backyard (T'Be Continued) (24:45) [excerpt]





Big Ego VI



Robert Ashley - Interiors With Flash
[3:07][1978]

8.1.07

Big Ego V



The Fugs - Saran Wrap
[2:27][1965]

Big Ego IV


Kenward Elmslie - The Woolworth Song
[2:30][1978]


Mais info sobre Kenward Elmslie: 1, 2, 3

5.1.07

Big Ego III


Patti Smith - The Histories of the Universe
[7:46][1975]


Mais info sobre Patti Smith: aqui.

Big Ego II


Philip Glass - A Secret Solo
[2:17][1977]

Big Ego



Big Ego é um dos 4 álbuns editados pela Giorno Poetry Systems, uma "marca artística" americana criada por John Giorno. Giorno queria que a poesia fosse comunicada às massas por via de todos os suportes tecnológicos e mediáticos, como o telefone, a televisão ou a rádio. O registo audio tornava-se assim fundamental. John Giorno reuniu músicos e performers que se viriam a tornar famosos. É o caso de Frank Zappa, Philip Glass, Allen Ginsberg, John Cage, Brion Gysin, Diamanda Galas, Laurie Anderson ou Meretith Monk. Nos próximos tempos, vou passar alguns desses registos. Education of the Girlchild, de Meredith Monk é o primeiro. Enjoy it!



O ano passado estas três senhoras vieram a Portugal. Perdi a Galas na Casa da Música, mas ganhei a Laurie Anderson em Montemor-O-Velho e a Meredith em Aveiro.

No arquivo:
Laurie Anderson em Montemor-O-Velho: 1, 2, 3, 4, 5, 6, 7.
Meredith Monk em Aveiro: 1; no Atentado (meu blog adormecido), vejam fotos do workshop a que assisti, orientado pela diva MM; o concerto que ela deu no Aveirense ficou apenas registado cá dentro.

Já agora, deixo a marca de um paixão antiga, por Philip Glass.

Este som que nos enlouquece... A culpa é do microfone.

Gordon Mumma
Foto de Jacqueline Leuzinger, 1964


Horn (6:21), de Gordon Mumma




Gordon Mumma, French Horn; Robert Ashley, Cybersonic Console; George Cacioppo, Cybersonic Console.

Horn is a live-performance electronic "chance" composition. The sound source is a French Horn fitted with a special mute containing a microphone. The sounds from the microphone are fed to the two cybersonic consoles (transistorized sound modifiers). The consoles are operated by two performers who determine the continuity of the work during each performance, according to the conditions specified by the composer. Thus, the composition changes at each performance.


Para mais info, consultem Aspen No. 4

1.1.07

29.12.06

JB II



Christmas In Heaven


It's a Man's Man's Man's World

21.12.06